Showing posts with label Megabats. Show all posts
Showing posts with label Megabats. Show all posts
Wednesday, December 14, 2011
Hangedman Vol. 1 cs comp.
Ever wonder where Seattle's noise-friendly mystics and granola-eating folk-doom vegan hockey-mask artists are at? Well, there'r all right here on the HangedMan Vol. 1 cs comp. J-card is screened and even appears to be embossed. 2 sets of liner notes indicate artist and track titles.
MegaBats - "Lawbreaker" kicks off the comp with a gleaming track of murky ambient synthesized bliss. Richard D. James couldn't have done it better himself.
Kristian Garrard - "Iced Axe IV" earthy machines, throbbing hearts, streams of consciousness. Ethereal harmony puts zen in motion.
Karnak Templers - "Spiral Chasm" ritual string worship mournful of thyself.
Josh Medina - "Scotch Broom" guitar-vocal-folkl, conceived by firelight in the absence of moon beams.
Them, There - "Ghostwood" blending cello, wind, and bleak guitar to formulate an exquisite aesthetic.
Side B
Demian Johnston - "And Then it Drags Across the Bottom" is Demian's most successful attempt at sounding like Blue Sabbath Black Cheer to date. Well played.
Inh Halentropy - "Arp Grey Magic 2600" lo-fi beat machines and spooky thermionic leads pre-dates dub-step.
Thunder Grey Pilgrim - "Iaospel" láðspel actually. Classical black metal picking and strumming with disgusting vocal oddness.
Nightjar - "Bottom Road" even more crusty black metal guitar.
Sokai Stilhed - "City of Love" an enjoyable gem weaving together of backwards flute and loop manipulated vocal frolics. Fun stuff.
Labels:
"Them,
Comp,
Cs,
Demian Johnston,
HangedMan,
inh Halentropy,
Josh Medina,
Karnak Templers,
Kristian Garrard,
Megabats,
Nightjar,
Sokai Stilhed,
There",
Thunder Grey Pilgrim
Saturday, October 29, 2011
Megabats "introvertical" cs out on Dead Accents

Seattle's Nintendo DS jocky duo Megabats offer up two slabs Bliss Drone Wall on a nicely pro-dubbed orange cassette tape. I'm not sure which side is which anymore but they both sound fairly similar. A long, soft, wavery mid-tone on top of a much softer, lower bass pad send you falling into your subconscious to unlock forgotten memories. Chasing old shapeless ghosts on a hazy astral plane, you awaken from your trance only to flip the tape and immediately slip back into your special place. Dead Accents is down to the last few out of 50 of these so get in where you fit in.
Labels:
Bliss Wall,
Dead Accents,
drone,
Megabats,
Nintendo DS,
seattle,
tape
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